FICTION

There's an immediate tension introduced in the first line that simmers throughout this story, one that exists between American and Guyanese culture and expectations, between the immigrant and first-generation, between the narrator's love for their family and their desire to leave home. The piece allows us access into so many worlds-- the narrator's world of dance, their family life, their inner life and rebellion, all with such rich observations and visceral details. On a line level, the rhythm of the sentences is perfect, the last sentence, a text from the narrator's mother, left me absolutely gutted.  

INTERVIEWS

  • “Corbeau Don’t Eat Sponge Cake: An Interview with Kevin Jared Hosein” – The Rumpus, FEB 2023

  • “A Chorus of Voices: Talking with Daphne Palasi Andreades” — The Rumpus, JAN 2022

  • “Conversations with Contributors: Sarah Rose Etter” — The Adroit Journal, AUG 2019

  • “That’s My Story, Too: Talking With Malaka Gharib” — The Rumpus, APR 2019

POETRY

FELLOWSHIPS & RESIDENCIES